翻訳と辞書
Words near each other
・ Love's Lines, Angles and Rhymes
・ Love's Lines, Angles and Rhymes (song)
・ Love's Long Journey
・ Love's Looking for Me
・ Love's Made a Fool of You
・ Love's Messenger
・ Love's Metamorphosis
・ Love's Mystery
・ Love's Not a Competition (But I'm Winning)
・ Love's Old Sweet Song
・ Love's Old Sweet Song (1923 film)
・ Love's on Every Corner
・ Love's Option
・ Love's Philosophy
・ Love's Pilgrimage
Love's Pilgrimage (play)
・ Love's Prisoner
・ Love's River
・ Love's Sacrifice
・ Love's Sacrifice (film)
・ Love's Secret Domain
・ Love's Small Song
・ Love's So Tough
・ Love's Sweet Exile
・ Love's Taken Over
・ Love's the Answer
・ Love's the Only Drug
・ Love's the Only House
・ Love's Theme
・ Love's Theme Song, Kiss


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Love's Pilgrimage (play) : ウィキペディア英語版
Love's Pilgrimage (play)

''Love's Pilgrimage'' is a Jacobean era stage play, a tragicomedy by Francis Beaumont and John Fletcher. The play is unusual in their canon, in that its opening scene contains material from Ben Jonson's 1629 comedy ''The New Inn.''
==The problem==
The common materials are ''Love's Pilgrimage,'' Act I, scene i, lines 25-63 and 330-411, and ''The New Inn,'' II,v,48-73 and III,i,57-93 and 130-68. Early researchers like F. G. Fleay and Robert Boyle thought that the Jonsonian material in ''Love's Pilgrimage'' was authorial — that Jonson was one of the creators of the play.〔E. H. C. Oliphant, ''The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others,'' New Haven, Yale University Press, 1927; pp. 432-3.〕 Modern critics favor the view that the common material, original with Jonson, was interpolated into ''Love's Pilgrimage'' during a revision, perhaps for a new production in 1635. (The office book of Sir Henry Herbert, the Master of the Revels, records a payment of £1 received for renewing the license of the play on 16 September 1635.) It is possible that the revision was done by Jonson himself; but far more probably, it was the work of an anonymous reviser.〔Fredson Bowers, general editor, ''The Dramatic Works in the Beaumont and Fletcher Canon,'' Vol. 2. Cambridge, Cambridge University Press, 1970; pp. 569-73, 692-5.〕 The latter interpretation was first advanced by Gerard Langbaine in 1691, who claimed that Jonson's work was "stolen" for the play.

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